Here I go dipping my toe in electronica again. It's a scary place but Dan Black makes it all right. Black is a British electronica artist with a very pop sensibility. In between his cold back beats and wordy lyrics, Black infects his songs with hooks around every turn. Symphonies, his best track off his new album UN, is filled with, well, a symphony. Violins tangle and bend on a whim. It is very much an updated Bittersweet Symphony for the electronic set. Wonder is the song Oasis should have released to stay relevant.
Dan Black's voice isn't one of spectacular bombast, but he possesses a tone that keeps the songs interesting, fresh, and listenable. Haven't been able to track down a none import version of his album, but it is available on iTunes. Definitely worth your time and head space.
Not much can be found on the young Ben Rector. No background info. No hometown. Nothing. OK, I didn't search very long for it, but who needs context with talent like this guys got? I found Ben by combing through some Christmas music for a kick-ass Christmas mixed CD. He just released his own Christmas EP called Jingle and Bells. It's got the best version of Jingle Bells I've heard in a while and I HATE Jingle Bells. He turns it into a saloon, dance-hall piano driven affair complete with a background crowd talking and joining in on certain parts. You should really hear it for yourself.
But upon further investigation Mr. Rector is more than just a Christmas coverer. He is also a very great singer. I know some people are going to call him a Michael Buble copycat. And some are going to stop reading at the very mention of a guy who sounds like the Buble, but stay with me. Rector does sound similar but he is not a crooner. He is totally modern and way more likeable. His songs are true and hit in the heart. Take the closing track off last year's release Songs That Duke Wrote called Hank. It's a simple piano ballad written to his just born nephew. The lyrics are insightful advice to a new born life that will make any new parent cry. Guaranteed. When talking to Hank about his parents Rector sings They're the ones who always love you and support you/ they prayed for you before you stepped foot into this world/that's one thing that I've learned. Rector's voice isn't one that blows the speakers off the wall, but his tone and sincerity are enough to keep you hitting the repeat button.
Combining tight guitar hooks, raspy vocals, and enough rock swagger to fill a dirty underground club, Fools & Horses are neither fools (I believe) nor horses (I think). Hailing from the DC area, they've built a solid local following and recorded 4 albums. So why haven't you heard of them? Well because you're lame. No, you're not lame. I hadn't heard of them either. All the guys share vocals responsibilities but Matt Hutchison leads the way with a voice that immediately draws you in. One of these Fools' best tracks is Selfish. With its slinky bass line, charging guitars, and a soaring chorus, it's an ode to all those self-absorbed women out there. (Let me tell you about the girl that I love/the one who don't love me). It's the perfect kiss-off anthem. Also be sure to check out the catchy We Have Arrived. Fools & Horses are currently touring behind their current album I Am the Ghost.
California's Sherwood started out as just one of those bands that had good songs but didn't really forge an identity to separate them from the countless others. Formed back in 2002, Sherwood put out two albums over the years and I distinctly remember listening to their sophomore album A Different Light (released back in '07) and thought that this band just wasn't for me. What a difference an album makes.
Cut to 2009 and Sherwood have a new album entitled QU. Don't ask what it means; I haven't been able to track that down yet. And wouldn't you know it, not only is Sherwood more focused than ever, they actually have grown leaps and bounds. They claim the Beach Boys as an influence for their brand of classic rock with pop sensibilities, and it shows more than ever. The harmonies are what keep their opening track Shelter floating along. It is the best 52 seconds you'll hear all year. They keep the momentum going along with killer tracks like the propulsive first single Maybe This Time. But it's the power ballad Ground Beneath My Feet that really sends your finger to the repeat button. With layered harmonies, a gentle piano and an tonal shift mid-song that really drives lead signer Nate Henry's vocals to another level. Sherwood may have slipped by me once or twice but really have hit a nerve on their third outing.
Modo has been one of those bands that has sat in my inbox for a while. Not because they aren't good enough to post about, but outta sight, outta mind. Straight out of Asheville, North Carolina, Modo is two guys- Craig Larimer (vocals) and Jake Rosenbloum (electirc guitar). Together they create a sultry electric-tinged rock mix. Larimer's voice creates a urgency in their best track Blood That I Need. Blood is all rock swagger with electronic synths. Modo has found the perfect blend. Their self-titled EP comes out on November 20th and features tracks that build upon one another. While none can match the catchy nature of Blood That I Need, they sure can layer the various sounds with skill. Too bad that a lot of their songs kind of blend together. A bit more variation will propel this band into the great category.
Yep today, Digging For Days turns one year old! They grow up so fast.Feel free to go back to the archives and read up on my first post. It feels just like yesterday I was thinking of a name to kick start my foray into music blogging. There have been a lot of blood, sweat, and tears in getting Digging For Days to where it is now. (And I am still not 100% satisfied with it.)
I started this blog in response to feeling that many music blogs get so caught up in trying to be too hip and rely on too much critical hype. I hope that I have cultivated a one stop shop for great bands that cut through all the hype. I usually don't know who all reads DFD, but I hope that you have found at least one band or artist you normally wouldn't have known about. That's the goal. I will continue to post about my new finds in the future. Please continue to send in your buried bands. So keep spreading the word, posting links, and telling your friends. Here's to another year of Digging.
I know it's fall. I do. But one listen to Family of the Year and you would think it is one of those humid, dimly lit, summer pool parties. This Family hasn't met a melody or harmony they didn't like. In fact, many of their songs have many vocalists. Whether it be the calming background vocals on Cast Off, or the shared lead vocals on Down to the River.
Family of the Year lean more toward the folksy side of rock, with their acoustic guitars and airy vibe. They really are one of the most intriguing acts I've come across in a good while. Summer Girl is the strongest track off their EP Where's the Sun. It evokes '70s pop with a modern edge. The song is about summer lovin' (cue Olivia Newton-John) The blending of the group's vocals is scary good. It really does transport you to a different time and place with all the imagery of falling in love during those carefree summer nights. Family of the Year recently wrapped up CMJ and their debut album Songbook hits stores November 17th.
I'm on a roll apparently. It's been a bit of dry spell lately. Not much for me to get excited about. Abandon Kansas is from, shocker, Kansas! They do their best Switchfoot with their uplifting lyrics and really-trying-to-find-meaning songs. Their EP We're All Going Somewhere is a good way to get your feet wet. At times, their songs can drift without any powerful hook to draw you back into the song. But what does bring you back is the voice of lead singer Jeremy Spring. With his smooth to gruff transitions, it completely draws you in.
The band has said that they aren't interested in money or fame, but just want their music to reach people. Make Believe is the strongest off the EP. It starts off slow and builds to a heart breaker of a chorus with Spring singing, Do you love me through your gritted teeth? I get the feeling that you're gonna leave me. It's a perfect example of a song that the band just gets right. They could use more of those. All in all, a great band that shows promise. One to keep an eye on in the future.
So Arkansas' Deas Vail (which means Humble servant of God) has been around a few years now. Apparently I'm a little late to the party. But you know what they say, "Better late..."well, you know the rest. The band just released their brand new LP called Birds and Cages Tuesday and I've got to say it's really great. Their sound is powered by sweet melodies and powerful vocals courtesy of lead singer Wes Blaylock. They remind me a bit of Death Cab For Cutie, if Cutie had hooks.
One of the best songs, is the piano-driven track Birds, which find Blaylock reaching to understand the meaning of life (you know light stuff) singing We are just figurines with a theology that we don't we understand. The song has great lyrics that really do make you think. While many of their songs have a Christianity slant, they don't go around hitting you over the head with it. Deas Vail knows how to rock out as apparent on Excuses, with its soaring chorus. They may not be new to the music scene, but they've been hidden for far too long. Deas Vail- Myspace Birds-
Can an indie supergroup, still be a supergroup even if you don't any of the members as solo artists? Well, apparently The Rescues are comprised of very successful indie solo artists who formed their band after an Atlantic exec asked them to get together and perform at his wedding. And the rest they say is history.
The Rescues are a pretty unique sounding group, mixing California pop, gritty indie sensibilities and a dash of electronica. (Only a dash though) Need proof of this mix? Well look no further than the absolutely blissful, pounding track Can't Stand the Rain. Mixing toy piano, thunderous tambourine, and more tempo changes than you can shake a stick, The Rescues have found a perfect mix of melancholy and intrigue. The song gets better on repeated listens as you find something new every time.
The Rescues just recently signed with Universal Republic so expect a new album um... sometime soon hopefully.
Pop punk outfit Kids in Glass Houses may be from Wales, but their music has all the snide and snare of many of American grown pop/punk bands. While many of those bands can end up sounding the same (whiny, shrill, nonchalant..), these Kids have found a groove to set them apart.
Their debut album Smart Casual had a couple of charting singles over in the UK. The band landed an opening spot for Fall Out Boy and a headlining tour of their own. But still remain largely unknown in the States, which may change when they release their sophomore album in the spring of 2010. The first single off said album, Youngblood (Let It Out) is true blue melodic rock filled with the angst of youth (Young boy chasing his prayers upstairs, a white light, her red light, and her thighs on his mind) Lead singer Aled, has an edge to his voice that really propels the song.
Kids In Glass Houses do teeter on the edge of emo but just stay far enough on this side of rock to be safe. Their songs are filled with hooks both lyrically and musically. If these guys continue on the path of their first single, the new album should provide quite a listen.
Kids In Glass Houses- Myspace Youngblood (Let It Out)-
So its been a little while hasn't it? I haven't forgotten about y'all but there has just been a lack of exciting talent lately. I've been getting a lot of recommendations mind you, but nothing that is worth posting. (Because here at DFD, I only want the best music)
With that said, Canada's Jason Zerbin is getting me out of my dry spell. With a touch of David Gray and a bit of straight forward rock, Zerbin creates an all encompassing sound. His debut album is finished and is waiting on a release date as of this typing. His song Hear Me has such well-written lyrics (If love's really an ocean, I want to drown) and a steady build. The song is one of his strongest with atmospheric guitars and emotion to spare. In Your Arms starts off with haunting strings and builds to strong rock hook with a sprinkle of toy piano. It's an all around great song although it never really gets where it's going. I Want You is his catchiest song with a jittery backbeat against a Zerbin singing, I want you more than anyone else/ Over the powers of heaven and hell.
Jason Zerbin's voice immediately draws you in with his powerful instrument. There's not much grit or blues but a smooth, clean, straight forward vocal. With his smart lyrics and knack for writing those songs that have a steady climb before everything is released, Zerbin is going to quickly be finding himself scoring a scene on The CW.
California based band The Jakes sure have fallen into some great company. After their manager entered them into a contest to open up for Kings of Leon for a one night only set in Chicago, not only did they end up winning, but they've been building buzz ever since. Sometimes it takes a shot like opening for the Kings to get some of that limelight sprinkled your way.
The Jakes have gone through several members. (Their name being an acronym for all the original band members' first names.) But have weathered the storm each and every time. With a brand new shiny record deal signed, the guys find themselves about to enter the studio to begin recording their first LP. The Jakes claim The Strokes, Colplay, and Radiohead as their influences. I can definitely hear some Strokes here and there. The Jakes are a more cleaned up version. Lead singer Sameer Gahdia has a cavalier tone to his voice. It's effortless and completely laid back California.
Cough Syrup is one of their best songs with its acoustic guitar and simple melodies. It sweeps you up with its dream like sound and pounding chorus. Paid the Piper is a funky, bouncy piano driven tune with a snappy chorus. Check out their EP Shake My Hand. I haven't found a bad tune yet. The Jakes are a buzzy band deserving of your attention, um right now. The Jakes- Myspace Cough Syrup-
Digging For Days Reviews... Build Me This by Joshua James
Joshua James was on my radar, but not really for the best reasons. I heard a few of his songs and wasn't that blown away. His voice was a quiet little thing, the music was quaint, and the whole vibe was just a little too coffee house for me. Well, all of that has changed with his new album and major label debut, Build Me This. And boy does the major label really suit him well.
James has amped up the guitars, amped up the volume, and stretches his voice like never before. He kicks off his album with Coal War, a sparse, cotton-picking spiritual that hits all the right notes lyrically and musically. Other highlights include Black July a barn-burner with throbbing guitars, and pounding drums. James turns a bit country on Annabelle, with fiddles and a toe tapping chorus making sure his Annabelle is feeling fine. (Are you well? Annabelle.
Build Me This showcases the electric side of Joshua James with riveting results. He does veer back into his folk roots on cuts like Kitchen Tile and In The Middle. Some of the more somber cuts are hit and miss musically. But one thing James has down pat is his way with words. He uses dark, heavy lyrics and keeps his aim true. Build Me This provides Joshua James with an excellent route into Americana blues; one of the best releases this year. A
The Dead Trees are admittedly rough around the edges and even a little rough inside the edges. With very little production on their debut LP, King Of Rosa, The Dead Trees are spreading their brand of lo-fi garage rock. "But wait," you say, "Didn't garage rock die out with The Strokes?" Well, yes and no. The Trees do have an affinity for playing loud, sloppy (in a good way) and catchy music. There is definitely some semblance of The Strokes and even a little bit of The Walkmen to be heard here.
On their song Shelter, The Dead Trees are at their best- with guitar hooks and a chorus that practically begs the crowd to sing along. It may be a little in your face for some. But it's on the track Loretta, where the guys really find their groove. Everything comes to head here. It's got a catchy hook, jangling guitars, and focused vocals. The Dead Trees will be touring this fall with The Rosebud Thieves and getting to work on their 2nd album. Hopefully a little polish will be applied to let all the potential shine through without loosing any of the luster.
Digging For Days Reviews... When The Devil's Loose by A.A. Bondy
A.A. Bondy has one of those voices. You know the one I'm talking about. The kind that you could hear sing a cookbook. (Phone books are so 5 minutes ago) I heard most of his first album American Hearts and was impressed with his talent but his songs on that album were a little tedious. On his sophomore release, Bondy's voice still carries much of the weight, but now he backed by a full band.
When The Devil's Loose starts with Mightiest of Guns- an atmospheric acoustic number, which almost has a dream like quality to it. Bondy sings about various "guns" whether they be actual or literal. It's a perfect way to bridge the gap from those who loved his intimate nature on his first album and the new fans he wants for his "bigger" sound. Another highlight is A Slow Parade, with it's slow drawl drums, and Bondy using what God gave him to make you really feel his emotion. It's actually one of the best vocals I've heard from the Double A. And it seems even this singer/songwriter has gotten caught up in vampire mania with Oh The Vampyre. It's a witty acoustic number about the downside of being a blood sucker. With clever lines, like "See my teeth so sharp and my blood so stale, you know I could drink the world and never get my fill," it's sure to be used in an upcoming promotion.
But there are some definite problems with Bondy's Devil. Even though he is backed by a full band, it's news to him. He still sings as though there are only 10 people that need to hear. Forget about the back of the house. His songs often are either a little too precious (I Can See The Pines Are Dancing), or have nowhere to go (False River). Although Bondy's not know for his strong hooks, listeners need a reason to play a song more after the first listen. I found myself going back to only 2 or 3 songs. If Bondy wants to amp up his sound, the band is there, if only he would be. C Oh The Vampyre (Electric)-
So this pick is probably going to make some of y'all's eyes roll, but keep an open mind. Fefe Dobson hasn't really made it big yet. Sure she has had a song here or there barely, but not much else. In fact her sophomore album was scrapped after her first two singles off said album failed to chart. Maybe we'll chalk her up to bigger in Canada.
But I ask why isn't she clicking with today's music scene? She fits into the same category as Avril Lavigne, and I would argue that she even surpasses her. I have a feeling that Fefe's time is coming. Her third (2nd?) album is entitled Joy and is set for release this fall on an independent label. One of her songs was recently covered by Jordin Sparks (Don't Let It Go To Your Head), and her first single, I Want You, is pure pop/rock bliss. From the simple guitar to the hand claps, everything clicks on this song. Fefe has never delivered such a sharp, catchy song before. Her punk snare is still intact and ready for a whole new chapter in her rising music star.
I dig for buried music. Forget the hype and critical darlings- if it's good, I'll find it. Got a band I need to dig? An album to review? Email me: mercury2142@yahoo.com
Here I go dipping my toe in electronica again. It's a scary place but Dan Black makes it all right. Black is a British electronica artist with a very pop sensibility. In between his cold back beats and wordy lyrics, Black infects his songs with hooks around every turn. Symphonies, his best track off his new album UN, is filled with, well, a symphony. Violins tangle and bend on a whim. It is very much an updated Bittersweet Symphony for the electronic set. Wonder is the song Oasis should have released to stay relevant.
