Here I go dipping my toe in electronica again. It's a scary place but Dan Black makes it all right. Black is a British electronica artist with a very pop sensibility. In between his cold back beats and wordy lyrics, Black infects his songs with hooks around every turn. Symphonies, his best track off his new album UN, is filled with, well, a symphony. Violins tangle and bend on a whim. It is very much an updated Bittersweet Symphony for the electronic set. Wonder is the song Oasis should have released to stay relevant.
Dan Black's voice isn't one of spectacular bombast, but he possesses a tone that keeps the songs interesting, fresh, and listenable. You can grab the physical copy here in the US on Feb. 23rd or get it now from iTunes. Definitely worth your time and head space.
Not much can be found on the young Ben Rector. No background info. No hometown. Nothing. OK, I didn't search very long for it, but who needs context with talent like this guys got? I found Ben by combing through some Christmas music for a kick-ass Christmas mixed CD. He just released his own Christmas EP called Jingle and Bells. It's got the best version of Jingle Bells I've heard in a while and I HATE Jingle Bells. He turns it into a saloon, dance-hall piano driven affair complete with a background crowd talking and joining in on certain parts. You should really hear it for yourself.
But upon further investigation Mr. Rector is more than just a Christmas coverer. He is also a very great singer. I know some people are going to call him a Michael Buble copycat. And some are going to stop reading at the very mention of a guy who sounds like the Buble, but stay with me. Rector does sound similar but he is not a crooner. He is totally modern and way more likeable. His songs are true and hit in the heart. Take the closing track off last year's release Songs That Duke Wrote called Hank. It's a simple piano ballad written to his just born nephew. The lyrics are insightful advice to a new born life that will make any new parent cry. Guaranteed. When talking to Hank about his parents Rector sings They're the ones who always love you and support you/ they prayed for you before you stepped foot into this world/that's one thing that I've learned. Rector's voice isn't one that blows the speakers off the wall, but his tone and sincerity are enough to keep you hitting the repeat button.
Combining tight guitar hooks, raspy vocals, and enough rock swagger to fill a dirty underground club, Fools & Horses are neither fools (I believe) nor horses (I think). Hailing from the DC area, they've built a solid local following and recorded 4 albums. So why haven't you heard of them? Well because you're lame. No, you're not lame. I hadn't heard of them either. All the guys share vocals responsibilities but Matt Hutchison leads the way with a voice that immediately draws you in. One of these Fools' best tracks is Selfish. With its slinky bass line, charging guitars, and a soaring chorus, it's an ode to all those self-absorbed women out there. (Let me tell you about the girl that I love/the one who don't love me). It's the perfect kiss-off anthem. Also be sure to check out the catchy We Have Arrived. Fools & Horses are currently touring behind their current album I Am the Ghost.
California's Sherwood started out as just one of those bands that had good songs but didn't really forge an identity to separate them from the countless others. Formed back in 2002, Sherwood put out two albums over the years and I distinctly remember listening to their sophomore album A Different Light (released back in '07) and thought that this band just wasn't for me. What a difference an album makes.
Cut to 2009 and Sherwood have a new album entitled QU. Don't ask what it means; I haven't been able to track that down yet. And wouldn't you know it, not only is Sherwood more focused than ever, they actually have grown leaps and bounds. They claim the Beach Boys as an influence for their brand of classic rock with pop sensibilities, and it shows more than ever. The harmonies are what keep their opening track Shelter floating along. It is the best 52 seconds you'll hear all year. They keep the momentum going along with killer tracks like the propulsive first single Maybe This Time. But it's the power ballad Ground Beneath My Feet that really sends your finger to the repeat button. With layered harmonies, a gentle piano and an tonal shift mid-song that really drives lead signer Nate Henry's vocals to another level. Sherwood may have slipped by me once or twice but really have hit a nerve on their third outing.
Modo has been one of those bands that has sat in my inbox for a while. Not because they aren't good enough to post about, but outta sight, outta mind. Straight out of Asheville, North Carolina, Modo is two guys- Craig Larimer (vocals) and Jake Rosenbloum (electirc guitar). Together they create a sultry electric-tinged rock mix. Larimer's voice creates a urgency in their best track Blood That I Need. Blood is all rock swagger with electronic synths. Modo has found the perfect blend. Their self-titled EP comes out on November 20th and features tracks that build upon one another. While none can match the catchy nature of Blood That I Need, they sure can layer the various sounds with skill. Too bad that a lot of their songs kind of blend together. A bit more variation will propel this band into the great category.
Yep today, Digging For Days turns one year old! They grow up so fast.Feel free to go back to the archives and read up on my first post. It feels just like yesterday I was thinking of a name to kick start my foray into music blogging. There have been a lot of blood, sweat, and tears in getting Digging For Days to where it is now. (And I am still not 100% satisfied with it.)
I started this blog in response to feeling that many music blogs get so caught up in trying to be too hip and rely on too much critical hype. I hope that I have cultivated a one stop shop for great bands that cut through all the hype. I usually don't know who all reads DFD, but I hope that you have found at least one band or artist you normally wouldn't have known about. That's the goal. I will continue to post about my new finds in the future. Please continue to send in your buried bands. So keep spreading the word, posting links, and telling your friends. Here's to another year of Digging.
I know it's fall. I do. But one listen to Family of the Year and you would think it is one of those humid, dimly lit, summer pool parties. This Family hasn't met a melody or harmony they didn't like. In fact, many of their songs have many vocalists. Whether it be the calming background vocals on Cast Off, or the shared lead vocals on Down to the River.
Family of the Year lean more toward the folksy side of rock, with their acoustic guitars and airy vibe. They really are one of the most intriguing acts I've come across in a good while. Summer Girl is the strongest track off their EP Where's the Sun. It evokes '70s pop with a modern edge. The song is about summer lovin' (cue Olivia Newton-John) The blending of the group's vocals is scary good. It really does transport you to a different time and place with all the imagery of falling in love during those carefree summer nights. Family of the Year recently wrapped up CMJ and their debut album Songbook hits stores November 17th.
I'm on a roll apparently. It's been a bit of dry spell lately. Not much for me to get excited about. Abandon Kansas is from, shocker, Kansas! They do their best Switchfoot with their uplifting lyrics and really-trying-to-find-meaning songs. Their EP We're All Going Somewhere is a good way to get your feet wet. At times, their songs can drift without any powerful hook to draw you back into the song. But what does bring you back is the voice of lead singer Jeremy Spring. With his smooth to gruff transitions, it completely draws you in.
The band has said that they aren't interested in money or fame, but just want their music to reach people. Make Believe is the strongest off the EP. It starts off slow and builds to a heart breaker of a chorus with Spring singing, Do you love me through your gritted teeth? I get the feeling that you're gonna leave me. It's a perfect example of a song that the band just gets right. They could use more of those. All in all, a great band that shows promise. One to keep an eye on in the future.
So Arkansas' Deas Vail (which means Humble servant of God) has been around a few years now. Apparently I'm a little late to the party. But you know what they say, "Better late..."well, you know the rest. The band just released their brand new LP called Birds and Cages Tuesday and I've got to say it's really great. Their sound is powered by sweet melodies and powerful vocals courtesy of lead singer Wes Blaylock. They remind me a bit of Death Cab For Cutie, if Cutie had hooks.
One of the best songs, is the piano-driven track Birds, which find Blaylock reaching to understand the meaning of life (you know light stuff) singing We are just figurines with a theology that we don't we understand. The song has great lyrics that really do make you think. While many of their songs have a Christianity slant, they don't go around hitting you over the head with it. Deas Vail knows how to rock out as apparent on Excuses, with its soaring chorus. They may not be new to the music scene, but they've been hidden for far too long. Deas Vail- Myspace Birds-
Can an indie supergroup, still be a supergroup even if you don't any of the members as solo artists? Well, apparently The Rescues are comprised of very successful indie solo artists who formed their band after an Atlantic exec asked them to get together and perform at his wedding. And the rest they say is history.
The Rescues are a pretty unique sounding group, mixing California pop, gritty indie sensibilities and a dash of electronica. (Only a dash though) Need proof of this mix? Well look no further than the absolutely blissful, pounding track Can't Stand the Rain. Mixing toy piano, thunderous tambourine, and more tempo changes than you can shake a stick, The Rescues have found a perfect mix of melancholy and intrigue. The song gets better on repeated listens as you find something new every time.
The Rescues just recently signed with Universal Republic so expect a new album um... sometime soon hopefully.
Pop punk outfit Kids in Glass Houses may be from Wales, but their music has all the snide and snare of many of American grown pop/punk bands. While many of those bands can end up sounding the same (whiny, shrill, nonchalant..), these Kids have found a groove to set them apart.
Their debut album Smart Casual had a couple of charting singles over in the UK. The band landed an opening spot for Fall Out Boy and a headlining tour of their own. But still remain largely unknown in the States, which may change when they release their sophomore album in the spring of 2010. The first single off said album, Youngblood (Let It Out) is true blue melodic rock filled with the angst of youth (Young boy chasing his prayers upstairs, a white light, her red light, and her thighs on his mind) Lead singer Aled, has an edge to his voice that really propels the song.
Kids In Glass Houses do teeter on the edge of emo but just stay far enough on this side of rock to be safe. Their songs are filled with hooks both lyrically and musically. If these guys continue on the path of their first single, the new album should provide quite a listen.
Kids In Glass Houses- Myspace Youngblood (Let It Out)-
So its been a little while hasn't it? I haven't forgotten about y'all but there has just been a lack of exciting talent lately. I've been getting a lot of recommendations mind you, but nothing that is worth posting. (Because here at DFD, I only want the best music)
With that said, Canada's Jason Zerbin is getting me out of my dry spell. With a touch of David Gray and a bit of straight forward rock, Zerbin creates an all encompassing sound. His debut album is finished and is waiting on a release date as of this typing. His song Hear Me has such well-written lyrics (If love's really an ocean, I want to drown) and a steady build. The song is one of his strongest with atmospheric guitars and emotion to spare. In Your Arms starts off with haunting strings and builds to strong rock hook with a sprinkle of toy piano. It's an all around great song although it never really gets where it's going. I Want You is his catchiest song with a jittery backbeat against a Zerbin singing, I want you more than anyone else/ Over the powers of heaven and hell.
Jason Zerbin's voice immediately draws you in with his powerful instrument. There's not much grit or blues but a smooth, clean, straight forward vocal. With his smart lyrics and knack for writing those songs that have a steady climb before everything is released, Zerbin is going to quickly be finding himself scoring a scene on The CW.
California based band Young the Giant (formerly The Jakes) sure have fallen into some great company. After their manager entered them into a contest to open up for Kings of Leon for a one night only set in Chicago, not only did they end up winning, but they've been building buzz ever since. Sometimes it takes a shot like opening for the Kings to get some of that limelight sprinkled your way.
Young the Giant has gone through several members. But have weathered the storm each and every time. With a brand new shiny record deal signed, the guys find themselves about to enter the studio to begin recording their first LP. They claim The Strokes, Colplay, and Radiohead as their influences. I can definitely hear some Strokes here and there. Young the Giant are a more cleaned up version. Lead singer Sameer Gahdia has a cavalier tone to his voice. It's effortless and completely laid back California.
Cough Syrup is one of their best songs with its acoustic guitar and simple melodies. It sweeps you up with its dream like sound and pounding chorus. Paid the Piper is a funky, bouncy piano driven tune with a snappy chorus. Check out their EP Shake My Hand. I haven't found a bad tune yet. Young the Giant are a buzzy band deserving of your attention, um right now. Young the Giant- Myspace Cough Syrup-
Digging For Days Reviews... Build Me This by Joshua James
Joshua James was on my radar, but not really for the best reasons. I heard a few of his songs and wasn't that blown away. His voice was a quiet little thing, the music was quaint, and the whole vibe was just a little too coffee house for me. Well, all of that has changed with his new album and major label debut, Build Me This. And boy does the major label really suit him well.
James has amped up the guitars, amped up the volume, and stretches his voice like never before. He kicks off his album with Coal War, a sparse, cotton-picking spiritual that hits all the right notes lyrically and musically. Other highlights include Black July a barn-burner with throbbing guitars, and pounding drums. James turns a bit country on Annabelle, with fiddles and a toe tapping chorus making sure his Annabelle is feeling fine. (Are you well? Annabelle.
Build Me This showcases the electric side of Joshua James with riveting results. He does veer back into his folk roots on cuts like Kitchen Tile and In The Middle. Some of the more somber cuts are hit and miss musically. But one thing James has down pat is his way with words. He uses dark, heavy lyrics and keeps his aim true. Build Me This provides Joshua James with an excellent route into Americana blues; one of the best releases this year. A
The Dead Trees are admittedly rough around the edges and even a little rough inside the edges. With very little production on their debut LP, King Of Rosa, The Dead Trees are spreading their brand of lo-fi garage rock. "But wait," you say, "Didn't garage rock die out with The Strokes?" Well, yes and no. The Trees do have an affinity for playing loud, sloppy (in a good way) and catchy music. There is definitely some semblance of The Strokes and even a little bit of The Walkmen to be heard here.
On their song Shelter, The Dead Trees are at their best- with guitar hooks and a chorus that practically begs the crowd to sing along. It may be a little in your face for some. But it's on the track Loretta, where the guys really find their groove. Everything comes to head here. It's got a catchy hook, jangling guitars, and focused vocals. The Dead Trees will be touring this fall with The Rosebud Thieves and getting to work on their 2nd album. Hopefully a little polish will be applied to let all the potential shine through without loosing any of the luster.
Digging For Days Reviews... When The Devil's Loose by A.A. Bondy
A.A. Bondy has one of those voices. You know the one I'm talking about. The kind that you could hear sing a cookbook. (Phone books are so 5 minutes ago) I heard most of his first album American Hearts and was impressed with his talent but his songs on that album were a little tedious. On his sophomore release, Bondy's voice still carries much of the weight, but now he backed by a full band.
When The Devil's Loose starts with Mightiest of Guns- an atmospheric acoustic number, which almost has a dream like quality to it. Bondy sings about various "guns" whether they be actual or literal. It's a perfect way to bridge the gap from those who loved his intimate nature on his first album and the new fans he wants for his "bigger" sound. Another highlight is A Slow Parade, with it's slow drawl drums, and Bondy using what God gave him to make you really feel his emotion. It's actually one of the best vocals I've heard from the Double A. And it seems even this singer/songwriter has gotten caught up in vampire mania with Oh The Vampyre. It's a witty acoustic number about the downside of being a blood sucker. With clever lines, like "See my teeth so sharp and my blood so stale, you know I could drink the world and never get my fill," it's sure to be used in an upcoming promotion.
But there are some definite problems with Bondy's Devil. Even though he is backed by a full band, it's news to him. He still sings as though there are only 10 people that need to hear. Forget about the back of the house. His songs often are either a little too precious (I Can See The Pines Are Dancing), or have nowhere to go (False River). Although Bondy's not know for his strong hooks, listeners need a reason to play a song more after the first listen. I found myself going back to only 2 or 3 songs. If Bondy wants to amp up his sound, the band is there, if only he would be. C Oh The Vampyre (Electric)-
So this pick is probably going to make some of y'all's eyes roll, but keep an open mind. Fefe Dobson hasn't really made it big yet. Sure she has had a song here or there barely, but not much else. In fact her sophomore album was scrapped after her first two singles off said album failed to chart. Maybe we'll chalk her up to bigger in Canada.
But I ask why isn't she clicking with today's music scene? She fits into the same category as Avril Lavigne, and I would argue that she even surpasses her. I have a feeling that Fefe's time is coming. Her third (2nd?) album is entitled Joy and is set for release this fall on an independent label. One of her songs was recently covered by Jordin Sparks (Don't Let It Go To Your Head), and her first single, I Want You, is pure pop/rock bliss. From the simple guitar to the hand claps, everything clicks on this song. Fefe has never delivered such a sharp, catchy song before. Her punk snare is still intact and ready for a whole new chapter in her rising music star.
Digging For Days Reviews... Straight Line by Pete Bernhard
Devil Makes Three lead singer Pete Bernhard is taking another stab at a solo album. This is technically his second solo album but his first commercial release. Straight Line finds Pete in his comfort zone of rootsy rock. But it is his voice that continues to amaze. He's at home on country music with a bluegrass bend. But he's not honky tonk.
I loved the vibe Devil Makes Three had going on, but on Straight Line Bernhard is very hit and miss. First the good. If the song Warning is not a single then the whole album should not even be released. It's excellent down to it chin-y chin chin. The title sums it up. Bernhard is warning "Emily" of the perils of fame and fortune-They're watching close so don't make no mistake/It's just my warning to you from me. The boppy piano line makes this quite a toe tapper and a very cautionary tale. The album closer 8th & Main is a low key affair. But a very melodic one and a great note to end on.
But if I'm honest the remainder of the album is just musically mediocre. The songwriting is top notch, but the lack of hooks left me underwhelmed. Many of the songs have nowhere to go. It's a shame really because while working at the radio station is summer, Warning was in constant rotation. Pete's Straight Line might have been better suited if he took a few detours here and there. C Pete Bernhard- Myspace
Andrew Belle is a singer/songwriter based in Chicago and Tennessee. He has a pop/indie vibe going on. His voice is smooth with almost a David Gray-esque quality, and his songs are catchy. At 24, it's refreshing to hear that the first album he ever bought was Counting Crows' August and Everything After. And readily admits Third Eye Blind as one of the bands that introduced him to the pop/rock world. Most artists will throw out older, "cool factor" bands as influences but don't really mean it.
His EP All Those Pretty Lights is currently on iTunes but you can also grab it for free off his Myspace page. It's filled with breezy gems brimming with acoustic guitar. It's music for a coffee house but without the pretension. Andrew Belle's full length LP The Ladder comes out later this year. But you can catch him on the east coast with the Ten From Tenn Tour. Belle's voice is the appealing factor here. What he lacks in sheer power he makes up for in a great tone.
So usually on Tuesdays, I'm trolling iTunes to see what's new and what's out. I click through, listen to samples and so forth. Usually not much strikes my fancy, but today was different. I just randomly clicked on some guy named Kevin Hammond. Never heard of him before, we'll see what he's got. First of all, that voice. It is a mixture of Gavin DeGraw and Jason Mraz, yet distinctive enough to catch your attention. He can instantly go into his falsetto and back again seamlessly. Having quit his day job, traded in his car for a van, and took to the road to become a "musical nomad." Quite a risk, but one I bet has paid off in spades.
Hammond's demo on iTunes called Maybe is acoustic pop/rock with a hook around every turn. His style is very blue-eyed soul meets acoustic rock. Upon searching for more of his stuff, I came across probably the best rendition of Gnarls Barkley's Crazy, possibly ever. Many of his original songs though are quite catchy and deserves your attention right now. Look for his debut album to hit stores sometime this fall. Kevin Hammond- Myspace Broken Down-
Fact: This Century hail from Arizona. Fact: They are on the pop side of rock. Fact: They will seep into your head and become unshakable. This Century recently released an EP To Love And Back and if you're into The Cab then here's your next favorite band. Their songs are saturated with melody and lifted by warm, natural lead vocals. The title track is a mid-tempo piano-laced love song about a relationship that's on its last breath. Battling a Heavy Heart is a must listen. It is just a solid, hooky song about finding someone to lift you out of a funk. (I've been waiting a long time, long time to get to you)
This Century is a steady band. I've liked almost every song I've heard so far. But if they are not to really take off they will need to shake off their comfort zone and up the risk factors musically. Their song It's Not You It's Me is a groovy step in the right direction. Everything is hook laden and catchy (which is good) but needs a jolt. All in all though, a good band that has miles of potential.
Sweden isn't just home of ABBA, but also of the band Those Dancing Days. The oddly named band (taking inspiration from the Led Zeppelin song Dancing Days) is a fine mix of pure dance-able pop and infectious 1960s girl groups. The band is refreshingly made up of all women(!) that play their own instruments(!!) with a lead singer that has some Ida Marie and Florence and The Machine influences.
Their debut album In Our Space Hero Suits came out in the UK late last year and is slowly trickling over the pond. They have quite a bit of excellent songs-among them is Run Run. With warbling organ keeping the vibe a bit retro and a melody that is too catchy for its own good, Run Run is a rollicking good time. Home Sweet Home is a touching ode to coming back home, backed by summer synths. (Home sweet home, I've been away for too long) Those Dancing Days is quite an eccentric bunch with slightly off kilter tunes that surprise you as they go along. Finally an all girl band that isn't all pop and flash with no substance.
Fellow Georgians, Holiday Parade is aptly named. Who doesn't love holidays and parades? Put the two together and it's just a fun experience all around. Holiday Parade isn't really going for critical praise with their new album Tickets And Passports, but they are going for gold in fun, sunny, catchy songs. They might be best known for Slam Crunk in which they took rap songs and sang them with melodies.
Their album is filled with not-so-ground breaking songs, but man do they know how to write a hook. Their sound is rock/pop at its most melodic. They really remind me of Relient K in both vocal delivery and musical style. Bouncy piano finds its way into many songs such as their best track Time For Me. With its fast paced chorus that could be sung at the top of your lungs at a summer concert. Where Did I Go is a laid back affair with a lean on acoustic guitar licks that keep the beat on a simmer. Holiday Parade might get lost in the shuffle, but deserve to be in your stereo as the summer nights close in.
Washington natives He Is We (aka Rachel Taylor and Trevor Kelly) come from different musical tastes. She is an indie rock/pop girl, while he enjoys hardcore metal. Together you wouldn't be able to tell. Their music is so melodic with Rachel taking over much of the lead vocals. She has a Paramore vibe going on but with a sweeter voice. Her voice cuts through everything; it's so clear.
Many of their songs are so damn catchy, you will be whistling it all day long. Pardon Me is all boppy piano and killer harmonies- one of their best.Radio is a somber ode to getting through to someone. (He only hums when he's blue/Radio leave me a melody that'll make this boy cry ) While A Mess It Grows is a heart breaker, sing songy track about a bad relationship that you don't want to end. (Why do I justify what you did wrong to me?) He Is We is unsigned but with the music scene how it is right now, would fit it just fine with the indie crowd.
I've been meaning to feature these guys for a while now, but am just getting around to it. From Canada, The Trews are big, loud rock and roll. There aren't any frills- just straight forward rock. They are all chugging guitars, pounding drums, and explosive vocals. But they somehow still manage to find a catchy hook every time. Some bands would just rather power through than find the melody.
Their album No Time For Later is filled with gasoline and sparks. There are a couple great tracks that make you want to sing out loud. The title track is one of the best with an energy level that stays at 11 the entire time. Lead singer Collin MacDonald sings every song like his life depended on it. I get a bit of Eddie Veder vibe from him. Feel The Pain is the catchiest song of the album with a killer the chorus. The Trews aren't playing around with their sound. They are rockers with a melodic side. A great side to be on by the way.
When I work at the radio station, I can only listen to country music. So when this group came across my playlist, they already had a strike against them. But Love & Theft know no boundaries when it comes to music. Their music is every bit as rock as it is country. They have a little twang in their voice but what can you expect from 3 guys from Nashville. Now they may not be new to anyone knee deep in the country music scene, but to those not, Love & Theft are quite the band.
Their album World Wide Open comes out on August 25th. Their first single Runaway is a catchy song about leaving town with crisp melodies awash in acoustic guitars and pounding drums. It opens up with a great vocal delivery backed by soft guitars before it explodes in the chorus. I've been playing this song every chance I get. Their second single Don't Wake Me has already been an iTunes Free Single of the Week, but in my mind it's not their best. While Love & Theft definitely have their harmonies down pat, they can come off a little over-produced. But a worthy dig nevertheless.
I've been on a bit of soul rock kick lately. Jonathan Tyler and The Northern Lights continue my love affair of of this sub-genre. From Dallas, Texas, their music is roughed-up, dirty, and just plain rocking. Tyler is heavily influenced by the '60s rock scene, from their musical tastes, right down to their hippie rocker look.
Their debut album Hot Trottin' came out a few years ago and is filled with Southern soul rock. Gypsy Woman is the lead off track and is the best they have to offer. It begins with nothing more than Tyler singing his heart out over a few hand claps with distant telephone line effect. It's a real scorcher of a song and grabs you by the throat with its heavy beats and crunching guitar riffs. Time For Love finds the guys bringing piano to the mix with a slower tempo. This group brings back an organic sound that is almost all gone in today's music scene.
Jonathan Tyler & The Northern Lights- Myspace Strangers-
*Check out their Myspace for Gypsy Woman, but this gives you an idea.
Digging For Days Reviews... Robots in LoveEP by Beautiful Small Machines
The perfectly titled EP should give you a hint about what to expect from this electronica duo. I know, I know, electronica? But wait until you hear it . I was pleasantly surprised that it's not all club-thumping electronic music. There is actual heart and emotion in these songs. Beautiful Small Machines is in fact Bree Sharp and Don DiLego, longtime collaborators who just wanted to start something fresh and new.
A mix of pop hooks with a space-age rock feel. It sounds like, well, robots in love. And the title track is one of the to be heard. It starts off with a cool synth beat with Bree singing in a a matter-of-fact delivery about a boyfriend's lack of commitment. (When he said I love you girl it should have come with a warning) Guitars swoop in for the latter part of the song to deliver a change of pace.
So Long 2 U is an airy ode to saying goodbye. It is one of those rare songs that mix electronica with emotion. It really is the heart of the album. Bree has never sounded so crisp and melodic. Beautiful Small Machines though can drift a little too far into their experimental roots. Album closer Servo Manual Chapter 1 is a vocoder-laden misstep. While Superconducter is a cheerleader style chant that is repetitive and basically goes nowhere. But Beautiful Small Machines overcome those with that rare feat of mixing electronica with pop hooks. B Beautiful Small Machines- Myspace Robots in Love-
I'm ba-aack! Sorry for the absence but had to get away for a bit. DFD should be getting back to normal. My inbox is so full it's going to take some time to sift through it all. I'll be getting the best of what I've dug up shortly. Until then, dig this.
Practically oozing with sex, heat, and blues, The Heavy provide a healthy dose of jazz influenced rock. Hailing from the UK, the appropriately titled, The Heavy are loaded down with funky horns, crunchy guitars and dirty as hell. After listening to the song Sixteen, you'll need to shower because it will leave you in a cold sweat. Sampling from Screamin Jay Hawkins' hit I Put A Spell On You, finds Sixteen as a perfect blend of blues, rock, and jazz about Satan and his young bride.
Lead singer Kelvin Swaby has a set of pipes that can hit the high notes one minute and growl with a rocker's edge the next. Their album The House That Dirt Built is brimming with soul rock to spare. How You Like Me Now? channels James Brown with its crashing drums and swagger. While Oh No! Not You Again is a fast paced, punk fueled torrent of a song. The Heavy are mixing genres like it's going out of style which actually might make it all the rage.
Between The Trees hasn't had an easy go at it. After replacing two former members and splitting with their record label after their debut, it's been quite a rough patch. But with a new record coming out August 11th entitled Spain, Between The Trees are ready for their big break.
With an indie pop/rock sound and songs with strong hooks, lead singer Ryan Kirkland leads the band into melodious territories. Their first big hit White Lines and Red Lights is a soaring, epic track about love. ('Cause you are the brightest star and I'm in love with who you are) Their first single off the new album is called We Can Try and once again it is a "big theme" song. Kirkland sings about making mistakes, having regrets, and starting anew. (I know things aren't quite like what they used to be/We can try). It's explosive chorus and searing guitars makes this a perfect breakup get back together song.
There I was flipping through the channels the other day and stopped on CMT. I know, why? Well, there was a duo singing that immediately caught my attention. Apparently, the show Can You Duet is the country duo version of American Idol. The duo that made me stop is called The Stellas. They are a Canadian duo consisting of Marylynne and Brad Stella. Individually they have excellent voices worthy of a solo go- but together they are magic.
Marylynne's voice is smoky and piercing, while Brad has a strong, smooth tone. The strongest song The Game, is what they auditioned with and it's a fast-paced country tinged toe tapper. Fond of You is a coy little flirt of song with a strong hook. The Stellas' vocal dynamic is what drives each and every song. Whether or not they win the Can You Duet competition, The Stellas will have a future. A bit different for DFD, but I think you'll dig.
*Marylynne stopped by Digging For Days and left a comment, in the comments section. You should too!
Things have been pretty slow around these parts lately. Posts have been a little slack partly due to the fact that I've just not really been excited about a ton of bands lately, and partly because it's summer and I'm out and about a lot. With that said, I decided to dig a little into my own personal iTunes for some dustier finds. During my time at The University of Georgia in Athens, I got wind of a lot of native bands. The Whigs are one of many that actually have the goods.
Their album Mission Control came out early last year amid a ton of positive buzz. They craft tightly wound rollicking songs and aren't afraid to find that pop hook. Lead singer Parker Gispert has an urgent voice that makes every song listenable. Their best track off the album is I Got Ideas a powerful, horn-ridden song with a great beat for hand claps. The verses start off with beat driven guitars before giving way to a rush in the chorus. The Whigs may not be the newest band around these parts but hey, if you've never of them, they're new to you.
This is the find of the month.(Thank you Citizen Dick) Cleveland based "cinematic pop" group The Modern Electric, have so completely wrapped me up in their insanely catchy hooks, killer vocal delivery and just an all around intriguing sound. Let's see if I can put it in words. They sight David Bowie as their main influence and they even have a song named after him. Lead singer Garrett Komyati has a voice that is melodic, soulful, and electric.
Their self-titled debut album is filled to the brim with song after song of rocking soul with an indie edge. The track Mistakes is a low key, melodic affair about giving your all to someone but it's just never enough. A repeat of the question What am I doing wrong girl? serves as the chorus that really drives the point across. As Sharp As Knives is a building, brooding track with a haunting echoes and lone piano keys. While Ghost is downright creepy with its clever take on obsession (I promise I will haunt you when I die/What kills me the most/You're not even a ghost) The Modern Electric are the next thing. Guaranteed.
First off, this one is a long time coming. Not so much new to those who scour music blogs, but A.A. Bondy is still buried in the music scene. His style of Americana folk-rock isn't exactly radio ready. But Bondy's voice and songwriting abilities were the selling point for me. I first heard of him with his debut album American Hearts and his heartbreak of a song There's A Reason. Bondy's voice is weather worn and has one of those tones that is all at once intriguing and haunting.
Now Double A has a new album coming out September 1st called When The Devil's Loose. On this album Bondy is backed by a full band for a much richer sound. The title track is a bluesy fiddle filled, mid- tempo number that finds Bondy singing about a woman who apparently lives too cautiously (Oh the living and dying/ how easily you bruise). Bondy's casual vocal style paints a scene in every song. If you haven't already, get on board this bandwagon.
Mutemath have spent the past 3 years since the release of their debut album toiling away for their new release Armistice. They've released a few songs for soundtracks and an EP to tide us over, but now it's time for the main course. They had a minor hit with their single Typical, but since then haven't really registered. I have a feeling that may all change.
Mutemath have been labeled in the same sentence as Switchfoot- Christian rock acts that have major crossover appeal. Armistice is schedule to drop on August 18th, and the first single The Nerve is ready for your listening pleasure. Upon first listening to it, I had high expectations. A steady barrage of drums kick off an barn burner (literally) with lines that call out the sometimes backwards thinking that goes on. (I can't believe this world is yelling out in the dark that it wants to be left alone/Set it on fire) The lack of a strong melody has me concerned but this song might need a few spins to grow. But all in all, Mutemath deserve to be applauded for bringing some substance to rock music.
So updates have been a little slow because I've been moonlighting as a country music DJ. (No really) And in my raking over songs and songs I came across one from a girl who has been heaped into the one hit wonder bin far too prematurely. Jessica Andrews is a country singer but not a honky-tonk princess. In fact, her voice isn't really all that country. Especially now. Jessica hit it big with her hit single Who I Am at age 17. A dissolved record label and many unnoticed singles later, and Jessica is finally putting out a new album later this year.
The track Everything is off this untitled album and it is a heart-felt doozy. Jessica has never sounded so good. Her voice cracks with emotion and has matured into a fine instrument. I always thought she had a fine voice, but as she pushes to hit those notes I am blown away. Country music isn't my favorite thing ever, but every now and then you can't knock songs that just stick with you. Give it a spin. I think you will like it.
It at first you don't succeed... Jones Street Station released their debut album Overcome 2 years ago but don't feel as though it represents them all that well. Enter their true debut album In Verses out this August. Their second "debut" finds the boys from Brooklyn, by way of the midwest, with a new drummer and four, count 'em four lead vocalists. The band is a lo-fi alt-country group with each member more than strong enough to front a band on their own.
One of the strongest tracks is Tall Buildings, a melancholy goodbye to the country life for the big bustling city. (It's goodbye to the sunshine/ Goodbye to the dew/ Goodbye to you/ I'm off to the subway/ Going to work in tall buildings) Harmonicas, mandolin, piano, four-part harmonies fill the songs of Jones Street Station. Their alt-country laid back nature is a refreshing breeze for those lazy firefly filled summer nights.
Jones Street Station-Myspace Tall Buildings (Live)-
Sometimes all it takes is determination and a batch of catchy songs. Fairfax, Virginia's My Favorite Highway know what it's like to toil away and not see much for your work. The band almost called it quits after a concert in which only a handful of people showed up and the club couldn't afford to pay them. But they turned their frustrations into a batch of tuneful songs which led to their being signed by Virgin. Soon after their debut album How To Call A Bluff was born.
My Favorite Highway land somewhere in The Fray territory, with their piano driven melodies but have a harder edge. Simple Life is an upbeat song about breaking free of your daily routine. While Getaway Car is a soaring rocker with about finding your purpose in life.(When all you hold in your heart slips away/You have to choose/ Fall behind, make a change, or change your mind) A lot of the songs are about finding your way in life when things don't go as planned. (Hitting a little too close for me right now) Now don't misunderstand, these guys are pure radio-ready pop/rock but their songs are catchy and harmless. A perfect fit for those aimless upcoming summer months.
Who would have thought a European could make Americana seem so effortless? (Thanks to Heather for the tip) Lead singer Ben Kyle from Minnesota by way of Belfast, has a Ryan Adams vibe going on. (And it doesn't hurt that he guested on their track The Dark.) Kyle's voice has such a rugged, yet hushed quality to it bringing sincerity to every song. Their sophomore album America was released in 2007 and is filled with down-home, rusty gems. It's perfect to put on the car radio and drive with the windows down on a cool summer evening.
The National Side is a mid-tempo toe tapper about growing up, with excellent lines such as Daddy was a preacher in a ship-building town/ Mama cooked the meals and wore a crown because of it/Dropped the dreams in the cradle and crib/Gave 'em all to Jesus that's what she did. One of the best Romantica has to offer is off of their debut album It's Your Weakness That I Want. The song On My Mind has Kyle pushing his vocals to their brink. We Americans are getting schooled by Romantica with their excellent grasp on folk/pop-rock.
I guess everything old is new again. Fitz & The Tantrums take a page from the Mark Ronson songbook and mix it up old school. Layering many songs with horns, organs, and '60s girl-group soul, Fitz & Co. more than earn their keep. From LA by way of France, Fitz has a throwback vibe with a modern twist, with influences of AM pop radio, Motown, and early Hall & Oates.
Their debut album Songs For A Break-Up Vol. 1, is filled with numerous grand-sounding songs with sweeping choruses and catchy hooks. Breakin' The Chains Of Love is a horn-riddled, tambourine fueled number that will definitely make you get up and dance. The slow-burning We Don't Need Love Songs is a sexy Commodores-esque track with with a vocal delivery drenched in desire. Fitz & The Tantrums is a refreshing nod to old school danceable pop.
Fitz & The Tantrums- Myspace Breakin' The Chains of Love-
Appropriately named band fun. is an indie powerpop band formed out of the ashes of other indie powerpop bands among them being The Format. Lead singer of The Format Nate Ruess takes over vocal duties for fun. and brings with him the same sensibility he had in his former band. Fun.'s debut album Aim & Ignite isn't scheduled to hit stores until late this summer but they've already given us a taste of what is to come with their first single, At Least I'm Not As Sad (As I Used To Be). When I first heard that The Format was splitting up, I was a little bit heartbroken but after hearing fun.'s music, I can honestly say that the spirit of The Format lives on. Their first single starts out lullaby simple before the army drums kick in. Nate possibly sings about leaving the band behind with lines like Youth's taken over by rock and roll, so I left, that's it. The hook in this song will sting your ears with it sugary sweet childhood taunts.
fun.- Myspace At Least I'm Not As Sad (As I Used To Be)-
There I was looking around in Hollister, trying to find some clothes. I waved off the annoying helpers, squinted in the low light, and banged my broomstick on the ceiling to tell those crazy kids to turn down the loud music. (Yep, I carry around just a broomstick) But just as I was about to shuffle out at 4:00 to eat supper, this song came across the speakers. It made my size too small heart grow and actually made me stay in the store until it was over.
At first I thought Jason Mraz had a new song out, but after some searching I found that he doesn't. Jer Coons (what a name!) could definitely be Mr. Mraz's voice twin. But where they differ is that Coons has a... ok they don't differ. Both sing laid back summery songs. Both have a soothing tone to their voice. I heard the song Legs in the store, which is a warm acoustic ode to losing the one you love to someone else. Another highlight is the catchy Secrets, which just has one of those great melodies. Jer Coons is not Jason Mraz but if doesn't get the credit he deserves it might be because radio already has their Mraz.
OK, so I really haven't been inspired by anything lately until I got an email delivered from the heavens. (Thanks Samantha) The Americans, though vaguely named, know exactly the type of music they want to make. The combination of styles will make your head hurt, but damn if they don't perfectly mesh. The Americans, lead by Charlie Klarsfeld, are a bit RnB, a bit old school doo-wop, a bit indie pop, and whole lotta awesome. Their songs are filled with hooks from start to finish. They're one of those bands that you know you're going to love 30 seconds into.
December Blues starts with a catchy saloon piano, horns, and a lush background of ooohs and ahhhs. The song has so many layers that work so well together. It suddenly takes a turn in the middle when all the instruments take a break for some vocals and hand claps. And One Night Stand is a danceable ditty with its bouncy piano. Honestly The Americans are a complex band with outstanding melodies and multi-layered talent. Their self-titled EP is on iTunes. Grab it and let's build the buzz.
Digging For Days Reviews... Darker Days by Andy Shauf
Everyone likes to sing in the shower, in the car, in your room, when no one can hear you. We are all excellent in our own minds. And the ones who truly think they are (but aren't) go on American Idol and are given a dose of harsh reality. Andy Shauf was one of those people except he actually CAN sing. He hid his songwriting skills from his friends, recording many songs in private and not sharing them until he felt he was ready to share.
Glad he finally got to share. What resulted in Andy's years of songwriting and demo recording is Darker Days- an aptly titled album full of sparse acoustic, folk-pop. Shauf wears his heart on his sleeve for much of the album, searching for love on the bouncy, upbeat opener Your Heart. He doesn't deliver another optimistic number until the middle of the album on The Greatest Moments, one of the best on Days.
Shauf's voice is simple and melodic, carrying an inherent sadness, but at times cannot deliver the strength the songs sometimes require. He must have be going through some really dark times because much of the album is a somber affair. The heart wrenching Were You In Love With Me tells of a love going unnoticed by another. Shauf sings over a yearning guitar line, Were you in love with me when we were on the couch?/ In between everyday what were your dreams about? The song practically bleeds at the end with Shauf wondering does she still love me?
But not everything connects quite as well. Darker Days is saddled by a sameness through its 11 songs. Yes, there are some great tunes to be discovered, but very little is done to shake up the monotony. It sounds great the first few songs but the hooks aren't strong enough to sustain an album's worth of downers. Darker Days shows Andy Shauf in one light, now if only he could lighten up. C+
Here I go dipping my toe in electronica again. It's a scary place but Dan Black makes it all right. Black is a British electronica artist with a very pop sensibility. In between his cold back beats and wordy lyrics, Black infects his songs with hooks around every turn. Symphonies, his best track off his new album UN, is filled with, well, a symphony. Violins tangle and bend on a whim. It is very much an updated Bittersweet Symphony for the electronic set. Wonder is the song Oasis should have released to stay relevant.
